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Fields of Domodedovskaya

by Kisser

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Yellow Sail 08:53
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Deponia 05:15
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about

Pasha Kisser came to dwell on Domodedovskaya after 27 years of living near Tsvetnoy Boulevard. He accepted this region, being in the state of melancholy and detachment, and landscapes with lonely dogs, mysterious small forests and sleeping windows of multi-story buildings fitted into his worldview perfectly. «Moving to Domodedovskaya was a somewhat traumatic experience, but in several years I came to love this area for its uncovered sadness. Here one can feel himself desperately alone without any shame and be inspired by unusual images», - tells Pavel.
The nakedness of depressive emotions of this area does not constrain the author at all. Just the other way about: he has found this atmosphere comforting, he has accepted it and became the part of this world, whose beauty may be called refined.
To achieve a necessary musical picture Korg MS-10 made in 1978 was used for making this album. Pavel calls its sound «sacral», for just this instrument could convert required emotions into sounds.

The author purposefully avoids genre characteristics of his art. He was bred on music of Sting, Madonna, House of Pain and Squarepusher, he performed break-dance and studied his elder brother’s tape collection, which included everything: from punk, gothic rock and first experimental electronics to jazz and hip-hop. Pavel compares the sound of his album The Fields of Domodedovskaya with the Leftfield project, which during the 90-s has made a start of the homonymous genre, made a broken beat a trend and inspired Prodigy, Orbital and Underworld. «I had no purpose to reproduce this genre as it is, - says Pavel. – Frankly speaking, I wanted to play bossa-nova, but obtained leftfield instead».

credits

released September 1, 2023

recorded & mixed by Kisser at Tutti-Frutti studio
mastered by Kokokei
(1st track mastered by Fedor Vetkalov)

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all rights reserved

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Mestnost Moscow, Russia

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